Sunday, March 15, 2009

MP3s at alternate site

The Google players are rather fickle of late. Here is a link to a string orchestra version of Hoodoo (the 1st movement): http://home.comcast.net/~edward_lein/hoodoo-strings.mp3

Un Dulcito: La Llorona


String orchestra version: http://home.comcast.net/~edward_lein/La_llorona-strings.mp3

The third movement of Un Dulcito (i.e., "A Little Latin American Sweet"), for violin and cello, is a chaconne-like setting of the Mexican folk song, La llorona, combined with the Latin hymn from the mass for the dead, the Dies irae.

The legend of the Weeping Woman (more of a ghost story really) varies throughout Latin America, and there are even some American versions of the tale (including one set in Kansas City). Essentially, a beautiful woman sets her sites on a wealthy man, but he rejects her because he doesn't want to be saddled with her several children. She decides she really, really wants the man, so she drowns her children--in some versions the man rejects her again, horrified by her monstrous behavior; and in others she is overcome by remorse and grief at what she has done. In all versions, she ends up drowning herself, and her spirit is doomed to wander the waterways in search of her children, tearfully wailing throughout eternity. (The story usually ends as a cautionary tale for other children--behave and don't venture near the water or La Llorona ["la yah-ROHN-nah"] may mistake you for one of her own children and pull you beneath the waves!)

There are a number of different versions of lyrics for the tune, which mostly seem to have very little to do with the legend. Here are some selected verses in English versions (i.e., not entirely literal translations) by me. The original Spanish words with the English are at http://sites.google.com/site/edwardlein/Home/translations/la-llorona-the-weeping-woman.


They all call me the somber one, Llorona,
somber, yet tender-hearted still.
*Though I' burn, like jalapeños, Llorona,
there's sweetness once you take your fill.
(*literally: "I am like the green chile, Llorona,
                 Burning hot yet delectable.")

They think I don't feel the pain, Llorona,
because they can't see me cry.
But even the dead are tearless, Llorona,
and their sorrow is greater than mine.

If the heavens were mine, Llorona, Llorona,
for you I’d pull all the stars down.
I’d place the moon there at your feet, Llorona,
and take the sun’s rays for your crown.

O take pity on me, Llorona, Llorona,
and down to the river let's go.
Hold me closely inside your shawl, Llorona,
for I think I shall die in the cold.

To a Savior who bore the world's pain, Llorona,
I confided my horrible grief.
But my sorrowful suffering was such, Llorona,
that it made even Jesus weep.

Translations ©2009-2010, E. Lein

Thursday, December 11, 2008

#23 "We’re out of the woods, we’re out of the dark, we’re out of the night!"

OutoftheWoods
1. What were your favorite discoveries or exercises on this learning journey?
The biggest deal for me was finding out how easy it is to use blogs, and to discover that by using them and other free hosting services (flickr, YouTube, last.fm) you can create a fully-developed web presence without having to spend a dime!

"Just try and stay out of my way. Just try! I'll get you, my pretty and your little dog too!"

2. How has this program assisted or affected your lifelong learning goals?
As with others, the program has encouraged me to examine a little more closely all these things you hear in passing and try to ignore, but really can't afford to.

"Toto, I've a feeling we're not in Kansas any more."

3. Were there any take-aways or unexpected outcomes from this program that surprised you?
See 1., above.

"Oh, don't cry! You'll rust so dreadfully. Here's your oil can."

4. What could we do differently to improve upon this program’s format or concept?
Like others have noted, one hour is not enough time for many of the assignments. Also, bandwidth issues offer a major challenge, not only in completing the assignments--many of which were better completed away from work--but in putting the various applications to productive use in the Library. If we develop these web 2.0 resources with the current limitations of RAM and connection speed, we are setting ourselves up for failure: we will be sorely challenged developing applications in an efficient manner; and, if our customers, particularly of the in-house variety, can't get them to work properly the results will be counterproductive.

"The sum of the square roots of any two sides of an isosceles triangle is equal to the square root of the remaining side. Oh joy! Rapture! I got a brain! How can I ever thank you enough?"

5. If we offered another discovery program like this in the future, would you again chose to participate?
I guess it really depends on what's being examined, but, yes. This has been among the most useful of any of the job-required training courses I've taken (and I've been with the city more than a couple of decades...).

#21 Personal. On. Demand.

'Nuff said...
Ask a Ninja
Well, probably not 'nuff to complete this exercise.

Didn't much care for the iTunes podcast directory. I googled "podcast directory" and tried podcastdirectory.com and their listings for Jacksonville -- not too many, and the one I listened too had two brothers phoning it in--one in Hollywood (CA) and the other (the host) somewhere in New Jersey. What up?

Searched Google again for library podcasts--subscribed to something from the Library of Congress--it is our MotherShip, no? Went back and tried podcastalley, under comedy, but chose a reference! feed: Ask a Ninja: You got questions. Ninja got answers. (I learned about Salameanders and cutting off parts that don't grow back...).

So now I understand the best way to deal with problem customers.

Wednesday, December 10, 2008

#22 Nightmare on Main Street

Freddy's glove
I skipped JPL2.0 #21 -- will wait till I get home. Would take too long here-- bandwidth issues.

Blithely on to exercise #22:
To establish an Overdrive account, you must first create your account through the JPL website. I know you’re tired of creating user names and passwords, but we're almost there!
I go to the Overdrive page to set up my account. Yes, yes. I am almost there ...

Only, no account set-up in sight on site. Is this a hideous trap?! But she seemed so nice.

I go for Help! Need...Quickstart! No mention of creating Overdrive accounts to log-in, nothing. Nothing. FAQ! N-o-t-h-i-n-g!

Where to turn? I'm lost...gasping...sinking...

Can't watch the Guided tour. It -- won't -- load. No alternate print version offered.

The sky darkens. Melonee approaches--is she too among the lost? I ask for help--She must know--What? She's been this way before! Thank heaven! Only... She looks at the web page, looks at me, at the web page -- can't find -- anything! Nothing! "Something should be done."

No way out--can't...breathe--AAArghhh!

Epilogue
"So," I ask, but none is left to hear, "If you need to log-in to use the service, why is there no mention of this on our web page? Isn't that a 'basic.' Do you set up a new account, or is it already there, included in the same login/password you use for everything else? It seems the latter is true (the usual worked for me, anyway) -- if so, we should proclaim it: 'If you have a card you have access!'"

The MYSTERY of setting up an account aside, I probably won't use Overdrive unless I get an mp3 player that works through my car speakers--driving is the only time I listen to books.

But the site really should mention about registering/logging in, or registration should be made more obvious it it's hidden somewhere. Also, the 1-2-3 Quickstart steps should be listed first thing, without having to stumble on them along the way. No wonder customers are confused.

#20 All right, Mr. DeMille ...

I'm ready for my close-up...


Ah, the good ol' daze. ...
Gilbert & Sullivan's Pirates of Penzance: "All is prepared / Stay, Frederic, stay"

From a February 1988 "Ex Libris" concert in the old Main Library...soprano Judy Wade and I accompanied by Rosalind McEnulty. Everything went pretty well except near the end Ros chose a quicker tempo than we had rehearsed...But tempo shmempo! look how thin I am! YouTube is great because this is how posterity will remember me, even if now ... "I am big. It's the pictures that got small"!

In response to #20, the Library could use YouTube for various types of promotions-- program ads, booktalks, demonstrations (like self-check), etc. We could give video tours of facilities, public art, special collections. Endless possibilities!

#19 And the Winner Is...

last.fm
When asked to explore a site from among this years Web 2.0 Award winners at SEOmoz.org, not being in a mood for surprises (let's save those for Santa) I looked under MUSIC and chose their #1 site: last.fm It's a great site, only...

Don't try this at work.

At least in the afternoon because it requires bandwidth which the City connection and/or the crappy PCs (and my resulting blood pressure) can't handle. I couldn't find anyway to pause the streaming until the entire file loads, so if you don't have enough bandwidth you'll get a thousand, give or take, stops and starts as a recording progresses.

Started as a legal music-sharing substitute for Napster, last.fm is a site where musicians or record labels can share their music--excertps, full tracks, even complete albums. You don't have to set up a free account to listen, but if you start an account you can set up a personal library of recordings. Much music is free to listen to, and you can set up an account to buy mp3 downloads. (Perfect for when we get our players for participating in JPL 2.0)

I set up an artist account and uploaded two albums of original compositions I recently compiled:

http://www.last.fm/music/Edward+Lein/+albums


Please listen to some of my FREE tracks some time, and invite a friend ...

They apparently made some big improvements to the site lately, so typically a lot of the stuff that used to work doesn't work now. Progress. For instance, for newly added accounts (like mine) the tags don't currently get indexed. But they know about the problems and they will be fixed (sooner I hope than later, since it isn't Cheers and everybody doesn't know my name so no one will ever find my stuff...unless you go and tell your friends...), and the old (pre-improvement) entries still work.

I only looked at classical stuff, but for many composers you can listen to entire albums for free, or at least hear representative works. It's pretty incredible.